Description: 
        
      Shows a horse with wings, rising from a Medusa’s head , which was only visible 
      from the backyard of the house. The paint, Dulux’s new Weathershield range, 
      was donated by Dulux. The piece is constructed upon a complex geometric 
      design, using the colours available in the range. 
  Commission: 
        
      It is not clear who originated this commission. Initial organisation seems 
      to have involved both Dulux Weathershield and Sheffield City Polytechnic’s 
      Faculty of Art & Design. At first the mural was offered to Fine Art students 
      from the Polytechnic, and then to other students. A number of designs were 
      considered and that of Steve Field , who was a student of Architecture at 
      the University of Sheffield, was chosen. The artist was not paid for this 
      work, but completed the piece as a part of his studies, with some assistance 
      from a number of fellow students. There was no official opening for the 
      mural. 
  Comment: 
        
      The houseowner at the time was also a student in Architecture at the University 
      of Sheffield. Before work began the design for the mural was displayed in 
      a window of the house and also in the University. Steve Field canvassed 
      opinion amongst fellow students and also residents. There was a lot of publicity 
      given to the painting in the local press and opinion seems to have been 
      favourable. Steve Field went on to win a National Student Award: the Crown 
      Prize for the Use of Colour in Architecture in 1978, this mural being part 
      of his submitted entry. He subsequently designed a second mural for Sheffield 
      but moved away before this could be started. 
      Sadly this mural no longer exists, as the houses in this street were demolished 
      in the late 1980’s. It was carried out at a time when there was a lot of 
      national interest in murals, a number of national mural conferences were 
      held, and most innovative public art projects of this decade seem to have 
      been in this field. (pardon the pun) Since the mid 1980’s this interest 
      has subsided somewhat, public art projects are more diverse in nature and 
      many mural projects incorporate brick work or reliefs - painted murals, 
      which have a relatively short life span tend to be for more temporary projects 
      such as boarding surrounding major building schemes (eg.  
      Brian Jackson's mural  in Fargate) 
Update [March 2010]:  
  The building is due for imminent demolition - faint traces of the mural are still visible on the wall.
    .
   
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    March 29, 2010